I’m not quite sure why tap is doing this to me.  I really did just throw in this particular skill as an afterthought in my curriculum more because I’d like to have fun hoofing with my lovely wife if and when I make it close to her league rather than as one of my initial big chunks of brain re-trainings like language or music.  But for whatever reason things in my broader agenda keep clicking while in tap class.  So here is another installment of what I learned in tap this week that is only tangentially related to the dance form.

The teacher asked us to turn our backs on him and he tapped out a rhythm.  We were then asked to do our best to copy the sounds that he created using any technique that we knew.  He started out with extremely simple examples and when he got to just plain simple which resulted in total cacophony from the class, he stopped.  But he explained that this was a way of learning to improvise.  In the tap sense it’s pretty close to some of the ear training that I’ve been doing in music.  And of course back in my youth I really liked the concept of jazz improvisation, but was never all that great at it – probably because I didn’t spend enough time with ear training and building my vocabulary.

Did I just say vocabulary?  Yes, I did!  The thing that really connects everything together for me was that the teacher went on to describe how he thought of improvisation in tap.  He said it felt like learning to speak a language.  Your objective isn’t to figure out the sentence that you’re going to say ahead of time, mapping out the whole structure and then spitting it out.  The idea is that you should have a working vocabulary that is rich enough and natural enough that you can just start talking and you form the thought as you go.  Dance, music, language, choreography, sight reading, speed reading, writing, composing – the same brain does all of these things.  Maybe training in one is actually going to help others.  Who woulda thunk?

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Comments
  1. John Morton says:

    Hope I’m not wrecking the atmosphere but too much tapping can cause ligament and hip problems in later life. I arranged for a Company over a number of years and many of the dancers now have this problem. Sorry to be a kill-joy.

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